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Henri Michaux édition établie par Raymond Bellour avec Ysé Tran --- 841 --- Literature French poetry --- Henri Michaux; édition établie par Raymond Bellour avec Ysé Tran --- kunst --- twintigste eeuw --- Michaux Henri --- Frankrijk --- literatuur --- schilderkunst --- tekenkunst --- poëzie --- 7.071 MICHAUX --- French literature (outside France) --- Michaux, Henry --- Criticism and interpretation

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Architecture --- Architectuurstudio Herman Hertzberger --- Architectural drawing --- Hertzberger, Herman --- Notebooks, sketchbooks, etc --- -Herman Hertzberger (°1932, Amsterdam) --- Architectuurtekeningen ; schetsen ; notities ; H. Herzberger --- 72.07 --- 741.07 --- 72.038 --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Drawing --- Mechanical drawing --- Architecten. Stedenbouwkundigen A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- -Notebooks, sketchbooks, etc --- Notebooks, sketchbooks, etc. --- Herman Hertzberger (°1932, Amsterdam) --- Architectural drawing - Netherlands - 20th century --- Hertzberger, Herman - Notebooks, sketchbooks, etc

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Le thème choisi par l'auteur pour cette exposition s'est nourri d'une enquête conduite sur près de deux ans, dans laquelle le département des Arts Graphiques du Musée du Louvre s'est largement impliqué par une sélection d'oeuvres de toute nature traitant d'un même thème: la décollation. Le texte de cet ouvrage est une interrogation constante -une interrogation latente- à travers les thèmes bibliques ou mythologiques, sur l'identité féminine, telle que la propose l'art occidental. Dans ce parcours analytique où Freud est la référence majeure, la figure féminine -et la figure humaine tout court- sont évoquées dans la complexité infinie qui s'attache à ce que l'on veut montrer et à ce que l'on entend dissimuler.

guillotines [edged weapons] --- onthoofding --- heads [representations] --- skull [skeleton component] --- Medusakop --- onthoofding van Johannes de Doper --- Thematology --- Art --- Medusa --- John the Baptist --- Head in art --- Art, European --- Tête dans l'art --- Art européen --- Exhibitions. --- Expositions --- Musée du Louvre (Parijs) --- profane iconografie --- menselijk lichaam --- hoofd --- Psychanalyse --- Visage (thème) --- Decollation --- Dessin --- Exhibitions --- 82:7 --- Thema's in de kunst ; het hoofd --- Kunsttheorie --- Tentoonstellingscatalogi ; Parijs ; Louvre --- 7.01 --- (069) --- kunst --- dood --- schilderkunst --- tekenkunst --- grafiek --- onthoofdingen --- Johannes de Doper --- doodstraf --- CDL --- 7.041 --- 741.03 --- Literatuur en kunst --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- 82:7 Literatuur en kunst --- skulls [skeleton components] --- Tête dans l'art --- Art européen --- Medusa [Mythological character] --- hoofd (van een mens) --- Head in art - Exhibitions --- Art, European - Exhibitions --- studiekop --- Medusa.

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The geometric shapes and natural forms, captured with exceptional precision in Ernst Haeckel's prints, still influence artists and designers to this day. This volume highlights the research and findings of this natural scientist. Powerful modern microscopes have confirmed the accuracy of Haeckel's prints, which even in their day, became world famous. Haeckel's portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the "unity of all living things" and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and "constructive" aspects, document the oness of the world in its most diversified forms. This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all make explicit reference to Haeckel in their work.

Haeckel, Ernst --- history of biology --- Gravure --- Biologie --- Naturalisme --- Darwin, Charles --- Zoology --- Botany --- Nature (Aesthetics) --- Morphology. --- Zoologie --- Botanique --- Nature (Esthétique) --- Morphologie --- Pictorial works --- Ouvrages illustrés --- Morphology --- 741.07 --- 76.07 --- Grafiek ; lithografie ; Adolf Giltsch --- Haeckel, Ernst 1834-1919 (°Potsdam, Duitsland) --- Kunst en natuur ; natuurvormen bij planten en dieren --- Tekeningen ; Ernst Haeckel --- Art and nature --- Nature and art --- Aesthetics --- Biological form --- Biological structure --- Comparative morphology --- Form in biology --- Structure in biology --- Anatomy, Comparative --- Morphogenesis --- Tekenkunst ; tekenkunstenaars A - Z --- Grafische kunst ; grafische kunstenaars A-Z --- Art --- design [discipline] --- Plantae [kingdom] --- Nature --- depictions [visual works] --- Animalia [kingdom] --- scientific illustrations [images] --- natuurbeschrijvingen --- wetenschappelijke illustraties --- vormgeving --- dieren --- planten --- Haeckel, E. --- CDL --- 741.071 HAEC --- Grammar, Comparative and general Morphology